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Welcome to my website . . .
My
name is Len Bernstein, and
when I began to photograph
over 30 years
ago, I felt I found a way of expressing myself that met something so
deep
inside me that I wanted to do it for the rest of my life. Walking with
my camera, the city streets seemed transformed--friendlier, more
interesting--and
I spent hours searching for dramatic situations, trying to capture the
right moment. Looking through the viewfinder, what I saw had new value
for me, boredom and loneliness seemed to vanish, and I wished I could
feel
that way all the time. And hoping to learn what made a photograph
successful,
I avidly studied the history and technique of photography.
My hopes were met when I
first heard
this principle stated by Eli
Siegel, the American critic and founder of
the philosophy Aesthetic
Realism: “All beauty is a making one of
opposites,
and the making one of opposites is what we are going after in
ourselves.”
I've had the thrill of testing this principle in thousands of
instances,
from the first known photograph taken by Nicéphore Niépce
around 1826 to the most modern work of today. It explains what makes a
photograph good and how our personal questions are the
questions
of art--dignified and cultural!
As a man who once felt cold
to people and things didn’t mean enough to me, I learned that a large
reason I cared for photography is because it shows that even a fraction
of a second has permanent meaning. Boredom, I also learned, is really
ego in disguise--the feeling that the world isn't good enough to hold
our interest. Studying how the world we are meeting all the time is a
oneness of opposites--such as luminosity and shadow, sharpness and
blur,
order and disarray--I felt I had new eyes as I began seeing beauty that
my conceit had obscured. My greatest pleasure as a photographer is
trying to be fair to my subject, and knowing that, if I succeed, my
work will have a good effect on people.
I used to think that art
was a refuge,
a higher realm, separate and superior to the "real" world. But art
stands
for how we should look at every situation, object, loved one, and the
next
stranger we meet. As a photographer and teacher of the art I love, I
know
that the study of Aesthetic Realism enables a person to be not only a
deeper
photographer, but a kinder, more integrated person as well.
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